Alain Badiou in Southern California: May 2012
The UCLA Program in Experimental Critical Theory is proud to welcome
Alain Badiou on the occasion of the 10th year of his visits to Southern California.On Wednesday, May 23rd at 4:00 Badiou will present a lecture, “Towards a Contemporary Conception of the Absolute,” in the Popper Theatre in Schoenberg Hall at UCLA.
On Saturday, May 19th, Alain Badiou will present a lecture and participate in a symposium entitled “Changing the World: Between History and Politics” at the Art Center College of Design in Pasadena (at the Graduate Art Program location: 950 S. Raymond Ave. Pasadena, CA)
Schedule
2:00 pm – 4:30 pm: talks
Nathan Brown (UC-Davis): “Rational Kernel, Real Movement: Alain Badiou and Théorie Communiste in the Age of Riots”
Kenneth Reinhard (UCLA): “The Use of Forcing”
Jason E. Smith (ACCD): “From Riot to Insurrection: History and Politics in Badiou”
4:30 – 5:00 pm: Break
5:00 – 6:00 pm: Keynote Lecture by Alain Badiou
6:00 – 6:30 pm: Roundtable
For more information, please contact Jason Smith at Jason.Smith@artcenter.edu
Art Center College of Design
Graduate Art Program
950 S. Raymond Ave.
Pasadena, CA 91105
Frédéric Worms at UCLA
Please join us on Tuesday, April 24 at 5:00 in Humanities 348 at UCLA for an ECT Symposium with
Frédéric Worms
“Critical Vitalism: A Thread Through French 20th Century Philosophy and Today’s New Philosophical Problems”Frédéric Worms is Director of the Centre International d‘Étude de la Philosophie Française Contemporaine and teaches the history of philosophy at the Université de Lille III. Professor Worms is a specialist of Henri Bergson, and the coauthor with Philippe Soulez of a biography of Bergson. He has recently published a book on the ethics of care (Le moment du soin) in which he attempts to expand the notion of care that has been a noted aspect of ethical thought coming out of Anglo-American feminist thought.
Support for this talk has been provided by the Cultural Services of the French Embassy and the UCLA Department of Comparative Literature.ECT Seminar Spring 2012 Alain Badiou: Worlds, Events, Truths
ECT Seminar Spring 2012
Alain Badiou: Worlds, Events, Truths
Tues. April 3 ECT Symposium: Stathis Gourgouris
5:00 CL seminar room
“Archē and Infinity of a Political Cosmos”
1. April 5 Introduction
Badiou, Manifesto for Philosophy
Tues. April 10 ECT Symposium: Michael Saman
5:00 CL seminar room
“Goethe, Lévi-Strauss, and the Science of the Concrete”
2. April 12 Neighborhoods
Badiou, Theory of the Subject, “Everything that belongs to a whole,” “Action, manor of the subject,” “Algebra and Topology,” “Neighborhoods”); “The Neighborhood,” “Toward a Philosophy of the Open” (pdf and video)
Wed. April 18 ECT Symposium: Deborah Achtenberg
noon, Faculty Center
“Derrida Between Moses and Elijah”
3. April 19 Situations
Badiou, Being and Event, “Introduction,” selections from Parts I-III (the ontology of situations)
Tues. April 24 ECT Symposium: Frédéric Worms
5:00 CL seminar room
“Critical Vitalism: a thread through French twentieth century philosophy and today’s new philosophical problems”
4. April 26 Badiou, Being and Event, selections from Parts IV and V (events)
Wed. May 2 ECT Symposium: Simone Pinet
5:00 CL Seminar Room
“World Maps, Local Languages”
5. May 3 Bruno Bosteels
Badiou, Being and Event, selections from Parts VII and VIII
(truth and the subject: the generic and forcing)
Bruno Bosteels, “World and Event”
6. May 10 Worlds
Jason Smith and Ken Reinhard
Badiou, Logics of Worlds, Book I
Badiou, Second Manifesto for Philosophy
7. May 17 Seminar with Alain Badiou
1. Analytic study: the transcendental
Badiou, Logics of Worlds, Book II, Greater Logic 1: The Transcendental
Sat. May 19 Art Center (Pasadena) conference:
“Changing the World”
Alain Badiou, Jason Smith, Nathan Brown, Ken Reinhard
Mon. May 21 Lecture by Emily Apter 4:00, Humanities 193
“Translation at the Checkpoint: On States, Borders, and the Limits of Sovereignty in Translation Theory”
8. Tues. May 22, 5:00 Seminar with Alain Badiou
2. Dialectic study: modification, fact, weak change, event
Badiou, Logics of Worlds, Book V: The Four Forms of Change
Wed. May 23, 4:00 ECT Symposium: Alain Badiou
“Towards a Contemporary Conception of the Absolute”
Popper Theatre in Schoenberg Hall
9. May 31 Badiou, Logics of Worlds, Book VI: Theory of Points
10. June 7 Badiou, Logics of Worlds, Book VII: What is a Body?
ECT Symposium
Please join us on Tuesday April 3 at 5:00 in the Comparative Literature Seminar Room (Humanities 348) for an ECT Symposium with
Stathis Gourgouris
Professor of Comparative Literature, UCLA
entitled
“Archē and Infinity of a Political Cosmos”
Stathis Gourgouris was born in Hollywood and grew up in Athens, Greece. He received his PhD in Comparative Literature at UCLA in 1990. He has taught Comparative Literature at Princeton and Columbia, and has been Visiting Professor at Yale (European Studies), the University of Michigan (Comparative Literature and the International Institute), and the National Polytechnic in Athens (Graduate Program of Epistemology). He was a National Endowment of the Humanities recipient in 2003 (as a Senior Fellow in the American School of Classical Studies in Athens), as well as Senior Fellow at the Center for Critical Analysis of Contemporary Culture, Rutgers University (2000). He serves currently on the Board of Supervisors of the English Institute, Harvard University, and has recently been elected President of the Modern Greek Studies Association.
He has published two books: Dream Nation: Enlightenment, Colonization, and the Institution of Modern Greece (Stanford UP, 1996) – translated in Serbo-Croatian (Belgrade Circle, 2005); Greek translation forthcoming (Kritiki, 2006) – and Does Literature Think? Literature as Theory for an Antimythical Era (Stanford UP, 2003) – Greek translation published by Nefeli (2005). In addition to literary writings, he has written articles on politics, psychoanalysis, music, and film studies, published in boundary 2, South Atlantic Quarterly, Thesis Eleven, New Literary History, Performing Arts Journal, Qui Parle, Cardozo Law Review, Strategies, Diaspora, Social Text, as well as in journals in Greece, France, Italy, Serbia, Turkey, and Egypt.
He is a poet, with three books of poetry in Greek, and many poems published in English in anthologies and journals such as Harvard Review, Jacaranda Review, Modern Poetry in Translation, Compages, LA Weekly. He has translated various Greek poets in English, notably Yiannis Patilis’ Camel of Darkness (Selected Poems 1970-1990) in the Quarterly Review of Literature Book Series (1997), as well as the poetry of Heiner Müller and Carolyn Forché into Greek.
CALL FOR PAPERS
“What Can a Body Do? Psychoanalysis and the Logic of the Symptom”
The Psychoanalysis Reading Group at Cornell University invites submissions for its upcoming annual conference
Featuring Keynote Speaker Tim Dean, Professor of English and Comparative Literature, University at Buffalo (SUNY); author of Unlimited Intimacy: Reflections on the Subculture of Barebacking (2009), Beyond Sexuality (2000), and Gary Snyder and the American Unconscious: Inhabiting the Ground (1991); co-editor of A Time for the Humanities: Futurity and the Limits of Autonomy (2008) and Homosexuality and Psychoanalysis (2001).
April 20-21, 2012
Cornell University
Ithaca, New York
What does the symptom know about the body, and how much of that knowledge can it tell? Psychoanalysis operates under the hypothesis of a body de-natured from the organism. According to Jacques Lacan, this is why we think: as he notes, the subject “thinks as a consequence of the fact that a structure, that of language … carves up his body, a structure that has nothing to do with anatomy. Witness the hysteric.” De-natured from its status as organism, the body emerges as parceled and the symptom as “truth taking shape” (Lacan). The symptom “holds” the body: we do not want to let the symptom go, for the jouissance tied to its eruption props up our very being. In analysis, then, language works on the symptom: the analyst maneuvers to fragment the chain of meaning that has sustained the subject’s individual body at the expense of its carved one, inviting the subject to encounter the truth of the structure, desire borne of language’s effects on the body. Encountering such effects, however, threatens the stability of both the subject’s “self” as well as its link to the social.
The symptom also speaks to the specificity of psychoanalysis as a clinical praxis; to the limits of its relevance for interpreting social or cultural phenomena beyond the clinic; and to the possibilities for interpretation implied by Lacan’s late reformulation, following the literary example of James Joyce, of the symptom as sinthome, “a signifier that would have no sense at all, just like the Real.” If the clinic of the neurotic symptom is the place where psychoanalysis thinks itself, what kind of knowledge can the analysand articulate about psychoanalysis as a practice in light of the sinthome’s resistance to analysis? To what extent does the sinthome’s relationship to knowledge and truth invite us to historicize the many ways—clinical, scientific, mathematical, political and aesthetic—the symptom both enables and limits the production of its perverse truth?
If psychoanalysis provides a support for the work of the symptom as a singular structure through which the body exerts itself in excess of both the ego’s place within the social link and discursive taming of the body, how might we theorize this work’s ability to extend into other terrains? From Freud’s social and theological investigations (Moses and Monotheism or Totem and Taboo) to Lacan’s claim that woman is the symptom of man to Octave Mannoni’s anthropologies (Prospero and Caliban) to the Marxism of Louis Althusser (“symptomatic reading”) or Slavoj Žižek (“How Marx Invented the Symptom”) to, most recently, Tim Dean’s work on different social organizations of sexual practice, psychoanalysis moves beyond the clinic to consider the logic of bodies within and against the limits of the social world. How does psychoanalytic thought, in its labor to enter into such practices, stay loyal to Lacan’s insistence that it is the unconscious, not the analyst, that engages in the work of interpretation? Inversely, how might the internal logic of psychoanalytic thought depend on psychoanalysis’s ability to articulate itself to this manifold of social activities, from literature to law, aesthetics to anthropology?
The deadline for submission of abstracts is February 1, 2012. Abstracts should not exceed 250 words; presenters will have 25 minutes each for their presentations with ample time for discussion afterward. Please send abstracts to the Psychoanalysis Reading Group at pargconference@gmail.edu. Notices of acceptance will be sent by February 15, 2012.
Martin Treml on the Carl Schmitt - Jacob Taubes Letters
The UCLA Program in Experimental Critical Theory presents a symposium, co-sponsored by the Center for Jewish Studies,
on Monday Feb. 27 at 5:30 [PLEASE NOTE TIME CHANGE],
in Royce 306 by
Martin Treml
(Zentrum für Literatur- und Kulturforschung, Berlin)
entitled
“Paulinian Enmity: A story of the correspondence(s) of Jacob Taubes & Carl Schmitt”
SELECTED LETTERS OF TAUBES-SCHMITT TO BE DISCUSSED IN THE SYMPOSIUM AVAILABLE HERE:
GERMAN
ENGLISH
(Letters 1-5, 7 trans. by Timothy Edwards; Letter 6 trans. by Dana Hollander)
Between 1977 and 1980, after two decades of an intense, mutual, yet indirect acknowledgment, Jacob Taubes, philosopher of religion and rabbinically trained Jew, exchanged with Carl Schmitt, Nazi crown jurist and theorist of the state of exception, letters and postcards. Taubes as well as Schmitt are often regarded as charlatans and demonic manipulators, but both of them are also remembered by many as some of the intellectually and spiritually most fascinating figures they ever encountered. In any case, there is no doubt that Taubes has made major contributions to the scholarship of apocalyptic thinking and messianic gnosticism. He has taken the field from the mere study of historical phenomena to a penetrating investigation of the dialectics of secularization and resacralization constitutive of what we call “religion.” In a similar way, Schmitt can be credited with fundamental insights into the relationship of theology and the study of law, between decision-making and the persistent difference between friend and enemy. The intellectual dialogue between Taubes and Schmitt in their correspondence took place before the background of a political, but also academic state of crisis in West Germany. The aftershocks of the late 1960s student movement were still evident in most if not all of the country’s institutions and discourses. This aftermath can be found Taubes’s and Schmitt’s discussions about ardent questions of political theology, such as: Saint Paul as the first illiberal Jew, Thomas Hobbes as the thinker of world civil war avant la lettre, Erik Peterson and Leo Strauss as sharp critics of the work of Schmitt, and Walter Benjamin as a mutual reference point. All of these concerns intersect with the central concerns of their respective thinking: the certainty of a liberating revelation; Catholicism as universal form; apocalyptical sentiment; the enduring power of the katechon set into the cold space of decision. Their correspondences were linked what may be called “Paulinian enmity.” The Taubes and Schmitt letters, which have been published in Germany last year, are now presented to the US academic public for the first time.
Call for Applications ECT Seminar 2011-12
Applications are now being accepted for the 2011-2012 ECT Seminar, “What is a World?” The seminar will meet on Thursdays, 3:00-6:00 Winter and Spring Quarters. Applications are due Dec. 2, 2011 by email to: ECT Program, c/o Michelle Anderson, Student Affairs Officer, Department of Comparative Literature, UCLA manderson@humnet.ucla.edu
Please include the following information: name, email, Ph.D. or MFA program or department, year in program and expected date of degree, and thesis or graduate advisor. Please describe your background and interests in critical theory, in no more than two single spaced pages.
The ECT seminar is the core course required of students who wish to receive the Graduate Certificate in Experimental Critical Theory; more information on requirements for the certificate is available here
What is a World?
What remains of the idea of “world” today? Is the increasingly rapid circulation of information, money, and objects around nearly the entire earth confirming capitalism as the whole cloth from which, for better or worse, our reality is woven, and globalism as the only viable paradigm for understanding its warp and woof, its rips and patches? And is the only alternative to globalization the new “localisms,” “regionalisms,” and “communitarianisms” that resist these expanding technological and economic networks by emphasizing the integrity of geographically limited and culturally particular areas and systems? What is a world? Is a world an interior, with a border that marks its difference from an exterior? Is a world constituted by the various perspectives of the individuals who inhabit it or is there something transcendental in a world, invariant and resistant to and even constitutive of multiple perspectives? Are worlds distinct and exclusive, or interpenetrating and inclusive? Is our knowledge limited to and by our historical and geographical situation in a world, or do we have access to truths that link multiple worlds? How does a world emerge? Suddenly like the Big Bang or the biblical creation story, or through gradual development, like geological accretion? And how does a world change? Through internal development or external pressures? Through evolutionary modification or revolutionary rupture? These are some of the questions that will guide our investigations of the concept of world and the functions of history, event, and truth in worlds in the ECT Seminar this year. Winter quarter will be led by Professor McCumber and will focus on the work of Martin Heidegger and his relationship to Aristotle, Nietzsche, and Husserl; Spring quarter will be led by Professor Reinhard and will examine the ideas of Alain Badiou and his relationship to Plato, Hegel, and Heidegger.
Winter 2012 (German 265): History, Truth and World: Heidegger displaced the locus of truth from sentences, propositions and theories to the set of contextualized significances he calls “world.” This move was indispensable for subsequent philosophy, which may accept or reject it but cannot ignore it without falling back into an uncritical use of modernistic categories (pre-eminently, those of “subject” and “object”). Heidegger himself saw this displacement as prepared for in a wide variety of his predecessors, from Aristotle to Husserl; this gives his move an historical justification in that Heidegger sees himself as saying clearly (!) what they were only trying to articulate. We will look at his discussions of those predecessors, along with their actual texts, with a view to understanding and evaluating this justification.
Spring 2012 (Comparative Literature 290): Worlds, Events, Truth: In the twentieth century, Heidegger presented a critique of globalism avant la lettre in the form of a history of the concept of “world,” beginning with an authentic Greek idea of kosmos and leading to its corruption in, for example, modern notions of Weltanschauung or “world-view.” For Heidegger, the impoverishment of the concept of world in modernity is bound up with the rapid development of technology, which has uprooted us from the world, rendering everything equally intelligible and equally meaningless. Without succumbing to Heidegger’s reactionary fear of technology, Alain Badiou has also criticized the concept of globalism, especially in the form of what he calls the “democratic materialism” (the proposition that there are only “bodies and languages”) that forms the common ideology of the western world. The position that Badiou calls the “materialist dialectic” agrees that a world is made up of nothing more than bodies and languages – there is no spirit beyond the material bodies and symbolic languages that constitute our worlds. However, Badiou argues that there is indeed an “exception” to this rule, which is precisely a truth, the constitutive yet indiscernible void or excess in a world. Truths are immanent to a particular world, according to Badiou, yet they are universal, infinite, and “trans-worldly.” For Badiou, a world is an ontologically closed set in which the possibility of appearing is regulated by transcendental conditions, or a logic, particular to that world. How then can we change the world? How does a new world arise, if it is to be more than a modification of a pre-existing world? This seminar will focus on Badiou’s Logics of Worlds, as well as other texts by Badiou on the concepts of world, event, truth, and subject. We will consider Badiou’s idea of world primarily in relation to that of Heidegger, and possibly also in relation to other philosophers such as Plato, Hegel, and Sloterdijk. Professor Badiou will join us for two weeks, as a UC Regents Lecturer, presenting new material in seminars and public lectures.
ANDY HAMILTON
ANDY HAMILTON
“The Aesthetics of Imperfection and the Art of Recording”
SEPTEMBER 27, 2011
4:00 PM
HUMANITIES 193 UCLA
Andy Hamilton teaches in the Department of Philosophy at the University of Durham. His areas of research include Philosophy of Mind, History of 19th and 20th Century Philosophy, Ludwig Wittgenstein, and Aesthetics with a special emphasis on music. He is also a jazz pianist and writes for “The Wire” and other contemporary music magazines on contemporary composition and improvised music. Among his numerous publications is the book Aesthetics and Music (2007). For further information on his articles on philosophy and music please visit: www.andyhamilton.org.uk
CO-SPONSORED BY THE DEPARTMENT OF COMPARATIVE LITERATURE AND THE DEPARTMENT OF MUSICOLOGY
Eric Santner: The New Idolatry: Religious Thinking in the Un-Commonwealth of America
Eric Santner on the UC Press blog on the new idolatry
Badiou the Demon
Here is a link to a youtube video of Alain Badiou and Joe Litvak in a scene from Badiou’s play, Ahmed the Philosopher. The scene was part of a conference and performance on Badiou’s Drama at the HAU 1 theater in Berlin on July 2, 2011, sponsored by the Zentrum für Literatur- und Kulturforschung. Speakers at the conference including Alain Badiou, Joe Litvak, Lee Edelman, Eric Santner, Ward Blanton, Martin Treml, and Ken Reinhard. A performance composed of scenes from Ahmed the Philosopher and Incident at Antioch was arranged by Sommer Ulrickson and performed by her and other actors.
Call for Papers: Jacques Derrida Today Conference
Call for Papers: Jacques Derrida Today Conference
11-13 July 2012
University of California, Irvine, USA.
Hosted by Professor Stephen Barker (UCI)
Keynotes
Due Date for Abstracts and Panel Proposals: 21 November 2011.
Submissions
Individual Abstracts & Panel Proposals should be sent as an attachment to: derridatodayconference@gmail.com
All enquiries about the conference only, to this email address.
Badiou in Berlin
Please join us for a special conference and performance in Berlin sponsored by the Zentrum für Literatur- und Kulturforschung and Hebbel am Ufer:
Alain Badiou’s Political Theater
With talks by
Alain Badiou, Ward Blanton, Lee Edelman, Joe Litvak, Ken Reinhard, Eric Santner, and Martin Treml
and
A reading of scenes from Badiou’s plays Incident at Antioch and Ahmed the Philosopher organized by
Sommer Ulrickson
July 2, 2011 in HAU 1 (4:00-7:00PM and 8:00-10:00PM; 1600-1900 and 2000-2200)
HEBBEL AM UFER – HAU 1: Stresemannstr. 29 / 10963 Berlin
Also please join us for a talk by Alain Badiou,
“Towards a Contemporary Conception of the Absolute,”
In conversation with Frank Ruda and Jan Völker
On July 4 at 8:00 in the Roter Salon at Volksbühne am Rosa-Luxemburg-Platz
LA Times essay on "Can Art and Politics Be Thought?"
Mark Swed’s review of the conference
Can Art and Politics Be Thought?
The UCLA Program in Experimental Critical Theory and the Hammer Museum present a conference/performance
on June 4 & 5, 2011 at the Hammer Museum in Los Angeles:
Can Art and Politics Be Thought? Practices, Possibilities, Pitfalls
Curated by Kenneth Reinhard and Drew Daniel
Part 1: Saturday June 4, 1:00-6:00
(in the Billy Wilder Theater)
Joshua Clover, “Between Centuries: Distance and the Epic”
(intro by Jason Smith)
Steve Goodman, The Martial Arts of Sonic Hauntology”
(intro Robert Fink)
Lauren Berlant, “On the Desire for the Political”
(intro by Sianne Ngai)
Matthew Barney
Interview with Drew Daniel
Part 2: Saturday June 4, 8:00-11:00
Ultra-Red (in Hammer gallery)
Jay Lesser (in Hammer atrium)
Kode9 (in Hammer Billy Wilder Theater)
Matmos (and guests) (in Hammer Billy Wilder Theater)
Part 3: Sunday June 5, 1:00-6:00
(in the Billy Wilder Theater)
Drew Daniel, “All Sound is Queer”
(intro by Julia Lupton)
Joan Copjec, “The Fate of the Image in Church History and the Modern State”
(intro by Eleanor Kaufman)
Allan Sekula, “The Forgotten Space”
(intro by Mary Kelly)
Alain Badiou, “Negation and Formalization”
(intro by Ken Reinhard)
Part 4: Sunday, June 5, 8:00-10:00
(in the Billy Wilder Theater)
Reading of scenes from Alain Badiou’s plays Incident at Antioch and Ahmed the Philosopher
directed by Stephen Barker
introduction by Ken Reinhard
Followed by a discussion with Alain Badiou
Conference on Jacques Rancière: EVERYTHING IS IN EVERYTHING
EVERYTHING IS IN EVERYTHING
From: Aesthetic Education
To: Intellectual Emancipation
March 11&12, 2011
Art Center College of Design, Pasadena
Conception and Organization: Annette Weisser & Jason E. Smith (Graduate Art Program, ACCD)
The Graduate Studies in Art Department at Art Center College of Design is pleased to host an international conference on the work of Jacques Rancière, on March 11 and 12, 2011. The theme will be that of “Aesthetic Education,” a philosophical and political program first proposed by Friedrich Schiller in the last decade of the 18th century and the subject of Rancière’s recent innovative work on the relation between aesthetics and politics. For Rancière, politics is not primarily the exercise or struggle for power but the emergence of a certain type of space and time, a mode of visibility and intelligibility that creates a tear in the consensual fabric of a given form of collective life. Under certain circumstances, art can institute just such a space and time, in which the fundamental polarities of experience—activity and passivity, form and matter, appearance and reality—are suspended and transformed. Friedrich Schiller’s Letters on the Aesthetic Education of Man offers, according to Rancière, an unsurpassed model for the construction of a space of nondomination, of “free play”; the aesthetic education of man, in turn, is nothing less than a program for an “aesthetic revolution,” “a revolution of sensible existence.”This conference will bring together senior and junior scholars as well as internationally acclaimed artists working in the field of contemporary political and aesthetic theory. The papers and presentations will consider the knot formed in Rancière’s work between aesthetics, politics and education. From his earliest work The Lesson of Althusser to his magisterial book on the pedagogical theory of Joseph Jacotot The Ignorant Schoolmaster, the theme of education have been at the center of Rancière’s concerns; his apparently recent turn to aesthetics, after the 1995 publication of The Disagreement, should in turn be understood as a continuation of his studies of the aesthetic experiments conducted during the post-work nights of 19th century proletarians The Nights of Labor. The question forming the horizon of this conference is therefore: what would it mean to propose a new “aesthetic education” of humanity today? How would the resurrection of this concept transform the current concepts of art, politics, and pedagogy? And to what extent is it necessary to return to the founding moments of aesthetic theory to rearticulate the relation between art and politics today?
Participants:
- (Researcher and Translator, Brussels) Arne de Boever (CalArts, Los Angeles) Claire Fontaine (Artist Collective, Paris) Peter Friedl (Artist, Berlin) Sharon Hayes (Artist, Columbia University, New York) Maria Muhle (Bauhaus University, Weimar) Martin Plot (CalArts, Los Angeles) Kristin Ross (New York University) Jan Völker (Freie Universität Berlin) Evan Calder Williams (UC Santa Cruz)
ECT seminar 2011 Begins
ECT seminar 2011
Philosophy, Art, and Politics
Professor Kenneth Reinhard
1. Jan. 6 Introduction: Plato, Platonism, and Anti-Platonism
Plato, The Republic
Alain Badiou, “Art and Philosophy” from Handbook of Inaesthetics
Jacques Rancière, selections from The Politics of Aesthetics
2. Jan. 13 Eleanor Kaufman and Ken Reinhard, “Plato’s Republic and Badiou’s”
Plato, The Republic
Alain Badiou, Hypertranslation of Plato’s Republic (selections)
Jacques Rancière, “Plato’s Lie” from The Philosopher and His Poor Part 1 part 2 part 3 part 4
3. Jan. 20 John McCumber on Aristotle
Aristotle, Poetics; Politics I; Nicomachean Ethics III 6-9 (on courage)
John McCumber, “Aristotelian Catharsis and the Purgation of Woman”
4. Jan. 27 Kant on Aesthetic Judgment
Kant, Critique of Judgment
Hannah Arendt, Lectures on Kant’s Political Philosophy (selections)
Jean-François Lyotard, Lessons on the Analytic of the Sublime (selections)
5. Feb. 3 Kant and Schiller on Aesthetic Education
Kant, cont.
Schiller, On the Aesthetic Education of Man (selections)
Jacques Rancière, “The Aesthetic Revolution and Its Outcomes”
Philippe Lacoue-Labarthe & Jean-Luc Nancy, The Literary Absolute (selections)
6. Feb. 10 Hegel on Culture and Terror
Hegel, Phenomenology of Spirit (selections)
Jean Hyppolite, Genesis and Structure of Hegel’s Phenomenology of Spirit (selections)
7. Feb. 17 Hegel on Art and Tragedy
Hegel, Lectures on Aesthetics (selections)
Beat Wyss, Hegel’s Art History and the Critique of Modernity (selections)
Feb. 22 ECT Symposium: Bruno Bosteels lecture, “Decadence, Aesthetics, and Grand Politics” (5:00 Royce 314)
8. Feb. 24 Bruno Bosteels on Nietzsche
Alain Badiou, “Breaking in Two the History of the World?”
Alberto Moreiras, Exhaustion of Difference, selections
Bruno Bosteels on Moreiras and Esposito
9. March 3 Heidegger, Politics, Art
Heidegger, “The Origin of the Work of Art,” “What are Poets For?”
Philippe Lacoue-Labarthe, Heidegger, Art and Politics: The Fiction of the Political (selections), Heidegger and the Politics of Poetry (selections)
10. March 10 Kristin Ross, “Marx’s Realist Intention”
Marx and Engels, The Civil War in France
Marx/Zasulich correspondence
Raymond Williams, “A Lecture on Realism”
Hello, Everything: Speculative Realism and Object-Oriented Ontology
Hello, Everything:
Speculative Realism and Object-Oriented Ontology
A conference sponsored by the UCLA Program in Experimental Critical Theory
Wednesday, Dec. 1, 2010 10:30-4:30
UCLA Faculty Center, Hacienda Room [NOTE ROOM CHANGE]
10:30-12:00
SPECIAL INTRODUCTORY SESSION
Graham Harman, “What are Speculative Realism and Object-Oriented Ontology?”
1:00-2:00
Timothy Morton (UC Davis), “Sublime Objects”
Eleanor Kaufman (UCLA), “Sartre and Object Classification”
2:15-3:15
Levi Bryant (Collin College), “Ontotheology and Withdrawal: Sexuation and the New Metaphysics”
Nathan Brown (UC Davis), “On Method: The Compound Epistemology of After Finitude”
3:30-4:30
Ian Bogost (Georgia Tech), “Object-Oriented Ontogeny”
Graham Harman (American University, Cairo), “Real Objects and Pseudo-Objects: Remarks on Method”
Cal Arts Aesthetics and Politics Lecture Series
Aesthetics and Politics Lecture Series
The 2010-2011 lecture series are hosted by Arne De Boever (Fall) and Chandra Khan (Spring). All lectures are open to the public. For a pdf of the lecture series postcard, please contact the organizing faculty member [1].
Fall 2010
TIMOTHY MORTON, “Hyperobjects”
October 7th, Thursday. 7:30pm, CAFÉ A at CALARTS.
Timothy Morton [2] is Professor of Literature and the Environment at the University of California, Davis. His interests include ecotheory, philosophy, biology, physical sciences, literary theory, food studies, sound and music, materialism, poetics, Romanticism, Buddhism, and the eighteenth century. He has published nine books, the most recent of which are Ecology Without Nature and The Ecological Thought.
CATHERINE MALABOU, “Plasticity: Looking For New Political Modes of Being”
November 9th, Tuesday. 7:30pm, Ahmanson Auditorium at MOCA Grand Avenue.
For directions, please consult moca.org [3].
Catherine Malabou teaches philosophy at the University of Paris X-Nanterre and is Visiting Professor of Comparative Literature at the State University of New York, Buffalo. Her work articulates the notion of plasticity at the crossroads of philosophy and neuroscience. Her publications in English include The Future of Hegel, Counterpath (with Jacques Derrida), What Should We Do With Our Brain?, and Plasticity at the Dusk of Writing. This event will be preceded by an afternoon conference on biology, technology, and the arts [4].
BONNIE HONIG, “Antigone, Interrupted: Greek Tragedy and the Future of Humanism”
December 2nd, Thursday. 7:30pm, CAFÉ A at CALARTS.
Bonnie Honig is Professor of Political Science at Northwestern University. She is also Senior Research Fellow at the American Bar Foundation and appointed (courtesy) at Northwestern Law School. She is the author of Political Theory and the Displacement of Politics, Democracy and the Foreigner, and Emergency Politics: Paradox, Law, Democracy. Her current project is about Sophocles’ Antigone.
Call for Papers: THE NEIGHBOR
Interdisciplinary German Studies Conference, University of California, Berkeley
March 11-13, 2011
Keynote Speaker:
Kenneth Reinhard
Departments of English and Comparative Literature,
Director, Program in Experimental Critical Theory
UCLA
DEADLINE FOR SUBMISSIONS: JANUARY 3, 2011
The image of “the neighbor” evokes both nearness and distance, familiarity and foreignness, belonging and isolation. Pregnant with implications for kinship, community, and affiliation particular to the German-speaking world, the concept of “the neighbor” has engendered numerous meditations on hospitality and love by thinkers from Luther and Kant to Freud, Schmitt, and Rosenzweig. At the same time, the presence of neighbors has often served as the basis for ostracism and exclusion, as an incitement to war, or as fuel for fantasies about local and global neighborhoods. How do we identify a “neighbor” or “neighborhood” in our current age of increased migration and mobility? How might an examination of these themes enrich our understanding of not only genocide and violence but also exchange, aid, and co-operation?
For the conference, we are encouraging a comparative approach by seeking perspectives on “neighbors” and “neighborhoods” from scholars working in literature, history, linguistics, film, media studies, anthropology, and the social sciences. Possible topics include but are not limited to:
• The Notion of Neighbors Inside and Outside the European Union
• Reactions in Theology, Philosophy, or Ethics to the Imperative “Love Your Neighbor”
• The Role of the Neighbor in Identity Formation and Identity Politics
• The Status of Friends, Enemies, and Neighbors in Geographical and Territorial Disputes
• Rivalries and Diplomacy between Neighbors on a Local, Regional, or National Scale
• The Construction of Dialects vis-à-vis Neighbors
• Linguistic Interaction between Neighboring Regions
• Community, Isolation, or Gentrification in Urban Neighborhoods
• The Kiez in Berlin, Grätzl in Vienna, or Veedel in Cologne
• Images of Neighborhoods in Suburban and Rural Settings
• The Subjection of Neighbors to Suspicion and Surveillance
• Cohabitation, Intimacy and Proximity in Collective Memory
• The Status of the Neighbor Before and After die Wende
• Media and Neighbors in the Global Village
Please send a 250-word abstract in English or German with a separate cover sheet indicating the proposed title, author’s name, affiliation, and e-mail address to neighbor@berkeley.edu
UCLA Program in Experimental Critical Theory
The UCLA Program in Experimental Critical Theory now has its own website: http://ect.humnet.ucla.edu
Please check the new website for information on the 2010-2011 seminar on “Philosophy, Art, Politics” and the graduate certificate program.
Badiou vs. Zizek
Is Lacan an Anti-Philosopher?
A Debate
Alain Badiou and Slavoj Zizek
Friday May 28, 2010
2:00
Fowler A103B (in the Fowler Museum), UCLA
[UPDATE: NEW LOCATION]
Wagner in LA: The Music of the 21st Century?
A conference sponsored by the UCLA Department of Comparative Literature, the Program in Experimental Critical Theory, The Hammer Museum, and LA Opera
With generous support from the UC Humanities Research Institute, the UCLA Dean of Humanities, the German DAAD Foundation, the UCLA Center for European and Eurasian Studies, UCLA R.U. Nelson Fund in Music, the UCLA Department of Musicology, the UCLA Department of Germanic Languages, and the UCLA Center for Intercultural Performance
June 1st
1:00 Juliet Koss, Chair, Department of Art History, Scripps College
“Spectral Gesamtkunstwerk”
2:30 Clemens Risi, Professor of Theater, Institut für Theaterwissenschaft, Berlin
“Re-Inventing Bayreuth for the 21st Century:
The 2007 Meistersinger as a Self-Reflection of Performance History”
4:00 David Levin, Professor of German and Theater and Performance, University of Chicago
“The Ring in Pieces: Götterdämmerung (Stuttgart Opera, Peter Konwitschny, 2002-2003)
5:30 Slavoj Zizek, Senior Researcher, University of Ljubljana, Slovenia
“Wagner as a Christian Jew: The Alternate Endings of The Twilight of the Gods”
7:00 RECEPTION (at the Hammer café)
June 2nd
1:00 John Deathridge, Chair, Department of Music, King’s College, London
“Reality and Image: Wagner in Film”
2:30 Mary Ann Smart, Professor of Musicology, UC Berkeley
“The Performative Wagnerite: from Patrice Chéreau to Achim Freyer”
4:00 Fredric Jameson, Professor of Comparative Literature and Romance Studies, Duke University
“Freedom and Envy: Wagner as Dramatist”
5:30 Alain Badiou, Professor of Philosophy, École Normale Supérieure, Paris
“Wagner, a Musician for the Future”
(Photo: Arnold Bezuyen as Loge in LA Opera’s production of Wagner’s Das Rheingold / courtesy of Monika Rittershaus/LA Opera)
Help save the Middlesex Centre for Research in Modern European Philosophy!
Middlesex University has announced that it is closing down all of its philosophy programs, including The Centre for Research in Modern European Philosophy, whose staff includes Peter Osborne, Eric Alliez, Peter Hallward, Stella Sandford, and others. The Centre is the most important institution for research and teaching in Continental Philosophy in England, and one of the key centers for new work in philosophy and theory anywhere in the world. The closure of the Centre makes neither intellectual nor fiscal sense, and would be a terrible loss, not only for Middlesex, but for the worldwide community of scholars and students working in critical theory, philosophy, psychoanalysis, and related fields.
The UCLA Project in Experimental Critical Theory considers itself to be allies with The Centre for Research in Modern European Philosophy at Middlesex, and we are distressed by its proposed dissolution.
Please consider signing the petition to stop the closure
And joining the Facebook page against the closure
These are the people at Middlesex University to write, if you would like to express your unhappiness with the planned closure; a strong negative response from outside Middlesex will be taken seriously:
Michael Driscoll, vice-chancellor of the university – m.driscoll@mdx.ac.uk
Waqar Ahmad, deputy vice-chancellor, research and enterprise – w.ahmad@mdx.ac.uk
Margaret House, deputy vice-chancellor, academic – m.house@mdx.ac.uk
Ed Esche, dean of the School of Arts & Education – e.esche@mdx.ac.uk
Here is a webpage with more information
Thanks for taking the time to help stop this disastrous loss.
Lee Edelman and Joe Litvak
Please join us for two events in Irvine on Wednesday, April 21:
Joseph Litvak,
Professor of English at Tufts University:
“Badiou the Comedian: Ahmed the Philosopher”
12:00-2:00 pm
Humanities Gateway 1030, UC Irvine
The lecture by Joseph Litvak will be preceded by a short dramatic reading from Alain Badiou’s play, Ahmed the Philosopher, translation in progress by Professor Litvak. This talk is presented by the Critical Theory Emphasis at UCI.
Lee Edelman,
Fletcher Professor of English at Tufts University:
“Against Survival: Queerness and the Zero”
Professor Edelman’s talk is the third of a three part seminar entitled “Against Survival.” This session will assume familiarity with Alain Badiou’s book Ethics and Michael Haneke’s film Funny Games. The full schedule of Professor Edelman’s seminar is below.
4:00-6:00 pm,
Humanities Gateway 1030, UC Irvine
—————-
The UC Irvine Critical Theory Emphasis Presents
Lee Edelman
“AGAINST SURVIVAL”
Part 1: “Queerness and the Archive,” April 19, 4:00 p.m.
Part 2: “Queerness and the Zero,” April 20, 4:00 p.m.
Part 3: “Queerness and Radical Evil,” April 21, 4:00 p.m.
All seminars will be held in 1030 Humanities Gateway and are open to the
public. Light refreshments will be served.
Professor Edelman recommends the following as background for the seminars: for Part 1, familiarity with Jacques Derrida’s Archive Fever: A Freudian Impression and with Hamlet; for Part 2, D. A. Miller’s essay “Anal Rope” and Pedro Almodovar’s film Bad Education; for part 3, familiarity
with Alain Badiou’s Ethics and Michael Haneke’s film Funny Games.
Matmos at UCLA! Drew Daniel on Melancholia and Deleuze!
Drew Daniel, 1/2 of Matmos and Assistant Professor of English at the Johns Hopkins University speaks on “How to De-Materialize Melancholy” on Monday April 12 at 4:00 in Royce 314.
The experimental music group Matmos performs and talks at UCLA on April 13, 2010, 6:00 pm at the Experimental Digital Arts Space at the Broad Art Center.
more info
Matmos is M.C. Schmidt and Drew Daniel, aided and abetted by many others. In their recordings and live performances over the last nine years, Matmos have used the sounds of: amplified crayfish nerve tissue, the pages of bibles turning, a bowed five string banjo, slowed down whistles and kisses, water hitting copper plates, the runout groove of a vinyl record, a $5.00 electric guitar, liposuction surgery, cameras and VCRs, chin implant surgery, contact microphones on human hair, violins, rat cages, tanks of helium, violas, human skulls, cellos, peck horns, tubas, cards shuffling, field recordings of conversations in hot tubs, frequency response tests for defective hearing aids, a steel guitar recorded in a sewer, electrical interference generated by laser eye surgery, whoopee cushions and balloons, latex fetish clothing, rhinestones on a dinner plate, Polish trains, insects, ukelele, aspirin tablets hitting a drum kit from across the room, dogs barking, people reading aloud, life support systems and inflatable blankets, records chosen by the roll of dice, an acupuncture point detector conducting electrical current through human skin, rock salt crunching underfoot, solid gold coins spinning on bars of solid silver, the sound of a frozen stream thawing in the sun, a five gallon bucket of oatmeal.
Recovered Voices Conference: Staging Suppressed Opera of the Early 20th Century
For more information, please follow this link to the Orel Foundation web site.
A Conference Co-Sponsored by the UCLA Center for Jewish Studies and the OREL Foundation
Additional funding by: The “1939” Club and The Natalie Limonick Endowment in Jewish Civilization
Registration is required. Please click here to register.
The Nazi regime was not only responsible for the destruction of millions of lives, but also for the suppression of countless works of art, literature, and music. These works, grotesquely termed “degenerate art” by the Nazis, were banned, and the artists, Jewish and non-Jewish, were branded enemies of the state. Thousands were murdered, some went into hiding, and some escaped, but even many of the “fortunate” ones were ruined by the trauma. Although by now this is a well-known story, it continues to unfold in its tragic details, and we are only beginning to truly understand the enormity of the loss.
The work of the historian is not only to document this loss; we can also make some small contribution to undoing this terrible story: forgotten artists and composers can be brought back to public attention, lost masterpieces can be retrieved. And great music can be heard again and enter into its rightful place as part of the repertory. This conference, co-sponsored by the UCLA Center for Jewish Studies the OREL Foundation is inspired by James Conlon and the Los Angeles Opera’s “Recovered Voices” project, an ongoing commitment to stage masterpieces of 20th-century European opera that were suppressed by the Third Reich. LA Opera’s project has richly demonstrated that an enormous amount of this music—much of it by composers little known or unknown in America—is not only worthy of retrieval from the abyss of historical circumstances, but by any standard is great and capable of speaking to us urgently and eloquently today.
The OREL Foundation is dedicated to helping restore these works to the stage, concert halls and chamber music venues, whether formal or informal. The Foundation encourages musicians, scholars and music lovers to become better acquainted with these composers and their works, many of which would certainly be better known today, but for the catastrophe of their history. James Conlon, whose work inspired the creation of the OREL Foundation, has been a tireless champion of this music, performing it frequently, making important recordings of many previously under-performed composers, and encouraging musicians all over the world to consider and perform these composers whenever possible.
Wednesday, April 7, 2010
UCLA Faculty Center, California Room
Speakers include Albrecht Dümling, Martin Goldsmith, Harvey Sachs, Michael Beckerman, Adrian Daub, David Levin, and Sigrid Weigel.
8:00 PM • Schoenberg Hall
FREE performance by: Jeffrey Kahane, Daniel Hope and members of Los Angeles Chamber Orchestra in an all Schulhoff program.
Thursday, April 8, 2010
UCLA Faculty Center, Sequoia Room
Speakers include Michael Haas, Bret Werb, Ryan Minor, Brigid Cohen, Peter Franklin, Christopher Hailey, Ian Judge, Michael Hackett, and Ken Reinhard.
7:30 PM • Keynote Address
James Conlon (Richard Seaver Music Director, LA Opera)
Wagner and Anti-Semitism, on line
The Hammer Museum has posted video and audio recordings of the symposium on Wagner and Anti-Semitism from Feb. 9, 2010, featuring Leon Botstein, David J. Levin, Kenneth Reinhard, and Marc A. Weiner.
Ring Festival LA
A conference to be held at UCLA June 1 & 2, 2010, as part of Ring Festival LA
Why have a conference on Richard Wagner’s operas?
Why have a festival in LA centered on Wagner’s Ring?
The conference will be part of the city-wide Ring Festival LA that will surround the first complete cycles of Los Angeles Opera’s new production of Richard Wagner’s Ring of the Nibelung, directed by Achim Freyer and conducted by James Conlon. The conference will examine various aspects of Wagner’s music, including its legacy in Southern California, as a major influence on the history of film music and exile culture; and its continuing importance in contemporary music, art, and philosophy. The conference will also examine Wagner’s anti-semitism, and the issues that it raises in both of those cultural contexts … READ MORE
Bruno Bosteels at UCLA
Please join us for two talks by
Bruno Bosteels (Cornell University) at UCLA this week:
The UCLA Departments of Spanish and Portuguese
And Comparative Literature present
“Marx and Martí:
Logics of the Disencounter”
Wed. Feb. 24, 2010 at 4:30 in Rolfe 4302
The UCLA Program in Experimental Critical Theory
and the Department of Comparative Literature present
“Badiou and Hegel”
Thursday, February 25 at 3:00 in Humanities 348.
Bruno Bosteels is the author of Badiou o el recomienzo del materialismo dialéctico (2007), Badiou and Politics (2010) and Marx and Freud in Latin America (expected 2010). He is currently preparing a manuscript entitled, After Borges: Literature and Antiphilosophy. He is also the translator of several books by Alain Badiou: Theory of the Subject (Continuum, 2009), Can Politics Be Thought? followed by An Obscure Disaster: On the End of the Truth of State, and What Is Antiphilosophy? Essays on Nietzsche, Wittgenstein, and Lacan (both for Duke University Press). He is the author of dozens of articles on modern Latin American literature and culture, and on contemporary European philosophy and political theory. His research interests further include the crossovers between art, literature, theory, and cartography; the radical movements of the 1960s and 1970s; decadence, dandyism, and anarchy at the turn between the 19th and 20th centuries; the communist hypothesis; cultural studies and critical theory; and the reception of Marx and Freud in Latin America. He currently serves as the general editor of diacritics.
Wagner and Anti-Semitism
I will be hosting a symposium on “Wagner and Anti-Semitism” at the Hammer Museum on Tuesday, Feb. 9th at 7:00 PM, with my guests Leon Botstein (President of Bard College), David J. Levin (University of Chicago), and Marc A. Weiner (Indiana University). Given the speakers and the heat the topic has generated lately, it should be a lively evening!
Here is a link to the Hammer site, with more information
And here is a link to Stewart Spencer’s translation of Wagner’s essay, Judaism in Music
Special thanks to Stewart Spencer for permission. This translation is difficult to find, and much better than the early 20th century Ellis translation.